The poorer sons are named Kid, Boy, and Son.
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This movie is clearly going for some kind of deeper meaning.
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The fight sparks a feud which will lead to the destruction of one set of sons or the other. Shotgun Stories : A fight breaks out at a funeral between the two families of the deceased: the drifting, impoverished sons he fathered while he was drinking, and the wealthy sons he fathered after he got his life in order. James Horner provides excellent music, and Dante “Salo” Ferretti does his usual phenomenal job with the production design. Peasants are mute touchstones who exist to reveal monks’ true character I hope the actors got their SAG cards for these roles consisting largely of flea-eating and grunting. The characters are cartoons, mostly villainous ones, and the woman is The Woman. All the thinking is kind of underdone imho, though it’s exotic and cool to watch a movie about intra-Franciscan theological conflict. Rose is a murder mystery/theological conspiracy tale set in a monastery riven by conflict about the necessity of Christian poverty (the great theological debate they’re all preparing for is basically “Resolved: Jesus did not own the clothes He wore”) and the pagan character of comedy. And… well, there’s also The Name of the Rose.” This is basically the correct take! The Name of the Rose : As I’ve been asking for recommendations of monk movies (friar films… cenobitic cinema… tonsured talkies), most of the replies have taken the form, “You’ve got to watch Of Gods and Men.
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Great pacing, great payoffs for all its setups, exactly enough characterization but not too much–and, of course, some giant-ass spiders. The “Itsy-Bitsy Spider” scene the web in the shower (bracketing the perfunctory grossness of the shower scene’s existence) the fantastic bit where the dog comes through the cat door… and then the cat comes through the cat door… and then the cat door slowly opens one. Like yes, it is from 1990, it’s about the intrusion of a species from the Land of Menacing Silent Natives into white suburbia, its politics etc are roughly “knockoff Gremlins.” But gosh, it is all done with such unnecessary skill, such attentiveness to the audience’s pleasure. Like this time, I was feeling low so I hit up this good ol’ classic of spider cinema, this tarantula talkie, but I thought, Is it really going to be as much fun as you remember?Īnd then we get that majestic opening shot of the jungle, the camera and the music just swooning in the presence of the sublime, and I thought, I forget how good this film really is. I resort to Arachnophobia when I’m feverish or sad.
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This, btw, is available legally for free on YouTube, like the rest of the Mosfilm archives.Īrachnophobia: This 1990, aka 1989b, horror-comedy is one of my comfort watches. The storyline has Dostoyevskyan hints, as the characters occasionally debate fairly deranged ideas about the relationship of Christianity and violence, but it is mostly a straightforward story of revolutionary failure–and the slowly-growing acknowledgment that violence inevitably spreads, crossing every moral boundary you think you’ve set, and toppling, as it spreads, some kind of necessary structure in the soul.